Barnaby Robson is Principal Clarinet
with the Philharmonia Orchestra of London, and also has an extensive
resume as a soloist, chamber musician and composer. Born in London
in 1969, Barnaby studied at the Guildhall School of Music & Drama and
as a Fulbright Scholar, at The Juilliard School, New York. During his
studies at The Julliard, he was awarded the School’s prestigious
Concerto Prize.
Barnaby was appointed Principal Clarinet of the
Philharmonia Orchestra in May 2000. With this world class orchestra he
plays for conductors such as Esa-Pekka Salonen, Vladimir Ashkenazy, Sir
Charles Mackerras & Riccardo Muti at renowned venues world wide.
In adddition to performing in the orchestra's annual season of over 200
concerts, Barnaby's playing can be heard on numerous Philharmonia CD's,
broadcasts and film scores.
"I was first given a Légère plastic reed to try
by a friend of mine in Australia. Before giving it a blow, my initial
thoughts were fairly skeptical..... however, I must say that when I
actually tired the reed I was more than pleasantly surprised! Having now
had the opportunity to try several different strengths and cuts of the Légère
reeds I have settled on using a 3.5. The consistency in the
strengths is outstanding - I must say that I've been increasing frustrated
by traditional reed manufactures lack of consistency between the grades.
With Légère you know exactly what you're getting straight out of the
box.
I also found that I didn't need a 'try out' period
before I felt comfortable playing the reeds in public. In fact, within a
day or so I was using them on tour with the Philharmonia, including live
radio broadcasts in some fairly challenging repertoire. The quality &
consistency of sound is excellent and the way to use the reeds is slightly
different from the 'traditional' approach in that they need to be rotated
on a daily basis in order to avoid them becoming tired. But this works
fine because of the consistency between the reeds - you really can't tell
one from another. All in all the Légère product is an huge asset to the
clarinettist's reed armoury. I've had a very positive reaction from my
colleagues in the clarinet section as well as some of the double reed
players in the orchestra too - "when are they going to make one for
us" they ask!
www.barnabyrobson.com
|