“Légère reeds are amazing, I had to pinch myself to make sure I wasn’t dreaming! The European Cut is the perfect reed; It allows my musicianship to flow effortlessly through the horn. Légère reeds are dark, centered, pure, flexible, and project with great ease. In addition to all those great qualities, they are consistent! I must be dreaming knowing that every time I pick up my clarinet I will have the perfect reed!” – Gregory Agid
Clarinetist Gregory Agid was born in San Antonio, Texas, and grew up in Honolulu, Hawaii. He got his first clarinet at the age of seven—and when his family moved to New Orleans five years later, Agid discovered jazz.
After attending Louis Armstrong Jazz Camp, where he learned from legendary local musicians Alvin Batiste, Kidd Jordan, and Clyde Kerr, Agid was accepted to the New Orleans Center for Creative Arts (NOCCA). Here, Batiste became his mentor. “Alvin Batiste once told me that the clarinet is also like a jealous mistress, and the moment you don't give her the attention she wants, she becomes spiteful and unruly,” Agid remembers.
Agid’s NOCCA classmates included Grammy-nominated trombonist and trumpet player Troy “Trombone Shorty” Andrews, Grammy-nominated trumpet player Christian Scott, and pianist Jonathan Batiste. In 2005, NOCCA awarded Agid a grant to study with clarinetist Eddie Daniels at Daniels’ home in Santa Fe, New Mexico.
While earning his bachelor’s degree in clarinet performance from Loyola University New Orleans, Agid dove into performing. In addition to playing alongside Delfeayo Marsalis and the Uptown Jazz Orchestra, the New Orleans Jazz Orchestra, and Kristina Morales, he leads the Gregory Agid Quartet and performs regularly in New Orleans.
Agid graduated from Loyola in 2010, and released his debut album, Mystery Blues, in 2013. The following year, he completed his master’s degree in music at the University of New Orleans.
In addition to performing and recording, Agid teaches music at NOCCA and Louis Armstrong Jazz Camp. "I want to bring people in through jazz—not intimidate and alienate them through pretentious music," Agid says. "I want to be in an environment where everyone can have a good time.”