A PROFILE REIMAGINED, AGAIN

At the heart of the French Cut lies a meticulously considered profile, designed with precision to elevate the classical and orchestral playing experience. The European and American Cuts concentrate material in the center to emphasize higher overtones, the French Cut boasts a more even distribution of material across its vamp. Yet, it maintains a thinner tip, striking the perfect balance: the responsiveness that artists require, paired with just the right touch of resistance.

This thoughtful design not only suppresses excessive high overtones but also enriches the sound with a fuller, more resonant body. The result? A reed that speaks authentically to tradition, while bringing forth a nuanced depth and warmth tailored for the grandest stages and most discerning of classical performers.

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SCIENCE MEETS ARTISTRY

The journey to create the French Cut was rigorous. It began with the joining of advanced scientific research and appreciation for the art of woodwind music. Through countless iterations, each design was refined, taking cues from the feedback and demands of dedicated performers.

Understanding that many players have tried our European and American Cuts and still gravitated towards other reeds, we wanted to create something that specifically addressed these players needs. The goal was clear: to craft a synthetic reed that not only mimics but surpasses the qualities of traditional cane. By continuously listening and adapting to what players were asking for, the French Cut was born—bridging the gap between past preferences and the promise of innovation.

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French Cut for Clarinet and Saxophone Product Overview

Find Your Strength

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Corrado Giuffredi, World Renowned Clarinetist
“Yes !! I love the woody sound of the new French cut !!”

Mike Cavin, Soloist and Educator Clarinetist
“These reeds are really amazing. The response is excellent. Fast passages sound cleaner because the reeds respond so quickly. “

Pablo Barragan, World Renowned Clarinetist
“A M A Z I N G”

Jeffrey Leung, Educator, Performing Saxophonist
“What’s exciting is that with the new profile, they’re able to explore a wider range of tonal palette while maintaining the trademark response and crispness of articulation.”

Steve Wilkerson, International Touring Saxophonist
I do believe this to be your best reed period! I am testing what it will and will not do and so far I don’t find anything less than great response!

Diane Barger, President of the International Clarinet Association
I was able to pop out a high C right from the start! So far, I love these!

 

Shop The French Cut Now

 

Legere Reeds French Cut Alto Saxophone Box Front

Alto Saxophone
French Cut

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Legere Reeds French Cut Tenor Saxophone Box Front

Tenor Saxophone
French Cut

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Legere Reeds French Cut Bb Clarinet Box Front

Bb Clarinet
French Cut

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